| Issue | Title | |
| Vol 1, No 1 | A Tribute to Uchefuna Christopher Okeke | Abstract |
| Frank Ugiomoh | ||
| Vol 1, No 1 | Accounting for the Trajectory of the Duein Fubara Art Object in the Kalabari Cultural Space | Abstract |
| Soiduate Ogoye-Atanga | ||
| Vol 2, No 1 (2017): Issue 2 No. 1 | Christendom Narratives and the Stained Glass Designs of David Herbert Dale | Abstract |
| Nelson P Graves | ||
| Vol 1, No 1 | Christendom’s Narratives and the Stained Glass Designs of Yusuf Cameron Adebayo Grillo | Abstract |
| Nelson P Graves | ||
| Vol 1, No 1 | Conversations between Photographs: Multilocal Gold Coast Collections | Abstract |
| Erin Haney | ||
| Vol 3, No 1 | Dele jegede: Post-peregrination and The Longstanding Fight for a 'Dream Deferred' | Abstract |
| Ugochukwu-Smooth C Nzewi | ||
| Vol 3, No 1 | Duke Asidere on Transcendence and Hope | Abstract |
| Frank Ugiomoh | ||
| Vol 2, No 1 (2017): Issue 2 No. 1 | ENVIRONMENTAL ADVOCACY, THE POST-COLONIAL CONDITION, AND THE HUMAN AGENCY IN GEORGE OSODI’S DOCUMENTARY PHOTOGRAPHS | Abstract |
| Frank Ugiomoh | ||
| Vol 2, No 1 (2017): Issue 2 No. 1 | EXPLORING REFLECTIVE MATERIALS FOR CONTINGENT SOCIAL COMMENTARY IN SCULPTURE | Abstract |
| Sabastine Ugwoke, Eva Obodo | ||
| Vol 1, No 1 | Jonathan Adagogo Green’s Photographs And Pre-Colonial Niger Delta Region In Nigeria Between 1887 And 1905 - A Reading | Abstract |
| Samuel Okoro | ||
| Vol 3, No 1 | Nigeria Debuts at the Venice Biennale | Abstract |
| Janine Systma | ||
| Vol 2, No 1 (2017): Issue 2 No. 1 | REALITY AND IMAGINATION: An Introduction to Visual Practice in Kenya, Uganda and Ethiopia | Abstract |
| John Picton | ||
| Vol 1, No 1 | REVIEW - Anya Fulu Ugo An Artistic Watershed in the Portal of Creative Rebirth in the Nsukka Art School | Abstract |
| Agwu Enekwachi | ||
| Vol 1, No 1 | REVIEW - “Duke Asidere’s Conversations”: Social Criticism and the Quest to Understand Postcolonial Anomy | Abstract |
| Tobenna Okwuosa | ||
| Vol 2, No 1 (2017): Issue 2 No. 1 | Review- National Exhibition of Contemporary Ceramics: Connecting Past, Present and Future Traditions | Abstract |
| May Okafor, Enekwachi Agwu | ||
| Vol 3, No 1 | The Rhetorical Dimensions of Yinka Shonibare’s 2016 Work and Tobenna Okwuosa’s 2015 Work in Linked Appropriations | Abstract |
| Tobenna Okwuosa | ||
| Vol 3, No 1 | When the eagle becomes a ribbon: Matters arising in the design of the Nigeria Air visual identity | Abstract |
| Etiido EffiongWilliam Inyang | ||
| Vol 1, No 1 | Wrapping, Bundling And Tying As Sculpture Processes The Charcoal Sculpture Exploration | Abstract |
| Eva Obodo | ||
| 1 - 18 of 18 Items | ||